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CMG Record Reviews La Bele Marie: Songs to the Virgin from 13th-Century France

Performers: French Anonymous

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CD Title: Furtwängler at Covent Garden: 1937 "Ring" Excerpts
Composer: French Anonymous
CD INFO: Harmonia mundi, France HMU 907312
Reviewer: John L. Holubiak
Notes: English essay by Susan Hellauer, translations in French and German
Latin and French texts, English, French and German translations
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What's on the CD:
O maria o felix puerperal (All), Pia mater gratie (All), De la mere au sauveor (JH), O maria virginei (JMB, SH, MG), Verbum bonum et suave (JH, SH), Ave salus hominum (All), Mainte chaçon ai fait (SH), Ave maria gracia plena (JMR, MG), Beata viscera (All), Mundum renovavit(JH, MG, SH), Jet e pri de ceur par amors (JMR), Salve sancta parens (MG, SH), Serena virginum (All), De la tres douce Marie (MG), Ave virgo virginum (All), Mater patris et filia (All), Ave nobilis venerabilis (All)

Review:
I enjoyed this collection the more I listened to it. The selections have an apparent simplicity and expressiveness which I feel will appeal to a wide audience of listeners.

The performers have selected texts reflecting a range of feelings, most being quite direct in expressing their admiration of Mary. The four French chansons have perhaps the most personal texts and each of these is sung as a solo by a member of the group.

Anonymous 4 produce a beautiful and unique sonority that imprints an indelible mark on the performances. The recording was captured in a very reverberant acoustic, and sounded best to me played fairly loud, bringing into relief the emotional expressiveness of the singers. It also produces a more natural dynamic range and adds bloom and clarity to the sound (which also sounds great on a portable player).

I believe that this disc is (generally) best listened to with pauses (I believe most CD listening should be broken with pauses). This allows one to better savor individual performances and follow texts.

I think fans who love a wide range of vocal music will find this disc a treat. For persons new to music of this period (or early music in general), this may not be the best introduction although taken on its own terms it represents an enduring contribution to the legacy of recorded art.



 
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