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Cecilia
& Bryn ~ Cecilia Bartoli duets Bryn Terfel
| Performer: |
Cecilia
Bartoli, Bryn Terfel |
Click
Image To See Full Size Pic
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| CD
Title: |
Cecilia
& Bryn ~ Cecilia Bartoli duets Bryn Terfel |
| CD
INFO: |
Decca 289 458 928-2 Uni/London Classics - #458928
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| Reviewer: |
Ward
Botsford |
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Notes:
Cecilia Bartoli - mezzo soprano
Bryn Terfel bass - baritone
Orchestra dell'Accademia Nazionale di Santa Cecilia
Myung-Whun Chung conductor
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What's
on the CD:
Mozart
Le nozze di Figaro:
Cinque... dieci... venti... trenta...
Cosa stai misurando, caro il mio Figaretto?
Se a caso madama la notte ti chiama
Or bene, ascolta, a taci
Se vuol ballare signor Contino
Un moto di gioia
Signor la vostra sposa ha i soliti vapori
Crudel! perche finora farmi languir cosi?
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Gioachino
Rossini
II barbiere
di Siviglia
Ebben, signor Figaro?
Dunque io son to non m'inganni?
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Cosi fan
tutte
Passeggiamo anche noi
II core vi dono, bell'idol mio |
L'italiana
in Algeri
Ai capricci della sorte io so far I'indifferente |
Don
Giovanni
Alfin siam liberati, Zerlinetta gentil, da quel scioccone
La ci darem la mano, la mi dirai di si |
Gaetano
Donizetti
Lelisir d'amore
Come sen va contento!
Quanto amore! Ed io spietata! |
Die
Zauberflote
Pa-Pa-Pa-Pa-Pa-Pa-Papagena |
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Review
of: Cecilia & Bryn ~ Cecilia Bartoli duets Bryn Terfel
A rather short record, just a tad over 54 minutes. Not to worry. Just grousing and this is about the only bad thing that can be said about this utter delight.
As can be seen essentially the first scene of Act I of Le Nozze is presented intact. Very intact! Bartoli of course could charm the pants off of a brass monkey with personality alone and when you add in a stellar voice … my gosh! Not that Terfel is any slouch by any means. His Se vuol ballare has sting to it along with voice. As to that: He has the problem of that top B flat that others do but he covers it well. To the best of my memory the only singers who handled that note with aplomb was Willi Domfraf - Fassbaender.
Bartoli breaks away - as it were - to sing Un moto di gioia an aria inserted by Mozart after the first performances for a new Susana. And Bartoli does it much more than simple justice.
Then Terfel takes on the Conte's persona in an all too short duet. Bartoli especially shine here with her mix up of saying yes when she means no. A winner indeed.
The Cosi duet comes off splendidly and here Terfel is the star with a marvelous presentation of Guglielmo's part in the farrago.
The Don Giovanni
duet is a good deal better than Terfel's complete recording because
here he has a considerate conductor. Naturally Bartoli is an ideal
Zerlina but I expect you knew that. And the short duet from Zauberflöte
is so charming you want to frame it.
Moving on to Rossini land there is that great piece of Rossinian wit, Dunque io son and here again Bartoli walks off with all the gems. To hear her saunter up and down the scales with crystal clear attack and enunciation will bring tears to a strong man's eyes. Terfel is good, no he's very good but it is not given to him to handle those same scale passages with the almost insulting virtuosity of his vis-à-vis. Same is true with the big L'italiana duet.
Only one Donizetti? I am cheated! But it is ever so good equally from both our Adina and Dulcamara.
Orchestra work is quite suave, has good sparkle and suits the occasion well. Dandy sound. Notes but no text. Tch!
In this day of dying record companies and curtailment of recordings it is probably useless to ask for a complete set of Figaros from these two? I thought not!
Excerpt used:
Zauberflöte
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