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CMG Record Reviews Arias for Farinelli

 

Performer: Vivica Genaux

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CD Title: Arias for Farinelli
Composer: Various
CD INFO: Harmonium Mundi HMC 901778
Reviewer: Ward Botsford
Notes: Academie Für Alte Musik – Berlin,
conducted by
RENÉ JACOBS
 
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What's On This CD:

NICOLA ANTONIO) PORPORA (1686-1768)
Orfeo: Dall'amour piu sventurato

RICCARDO BROSCHI (c. 1698-1756)
Idaspe: Ombra fedele anchio - Qual guerriero in campo armato

GEMINIANO GIACOMELLI (c1692-1740)
Adriano in Siria: Mancare Dio ma sento

BALDASSARE-GALUPPI (1706-1785)
Concerto a 4 in C minor

 

NICOLA ANTONIO PORPORA
Poliferno: Oh volesser gli Dei … Dolce freschi aurette

Added aria in Artaserse by JOHANN ADOLF HASSE: Or la nube procellosa

JOHANN ADOLF HASSE (1699-1783)
Artaserse: A, questo dolce amplesso

GEMINIANO GIACOMELLI
Merope: Quell’usignolo

Review:
Music supposedly written for the great castrato Carlo Broschi detto Farinelli … you’ve seen the movie of course?

Extensive notes on the subject will enthrall the uninformed. How-so-for-ever that has not a damned thing to do with the present record, which I find a thrill a minute and a lot of good clean fun.

Ms. Genaux hails from Bear country, that is to say Alaska and her voice is quite marvelous. She is all over the place from top to bottom and indeed listening to her exhausts me. I would suggest one aria at a time to be followed by a very dry martini to be followed by more of La Geneaux.

What I mean to say she has a voice like a firebrand that sears the senses and palpitates the sensory organ. I heard the first aria and yelled for my wife – which I have a way of doing when I have something out of this world – she came a-running and wouldn’t go away until the whole CD had been absorbed … along with several ‘shaken but not stirreds’.

All kidding aside: This is a great CD and whatever it cost you will be too little. The music itself? Not to be taken too seriously. It was written for the singer and has not much to commend itself per se. Not to mind. You sit there with your mouth a ‘gape just listening to Genaux.

You will note that there in a Galuppi Concerto a 4 inset for some strange reason halfway through. Either Geneaux got tired or the folks at Harmonium Mundi figured that at that point the Martinis poured. Anyhow it is nice.

René Jacobs and his Merry Men provide exactly what is needed: Lots of precision, good spirits <g>, and driving tempi.

The sound is groovy; there are texts in all languages and I demand to know when there will be more. Maybe of a more substantial sort.

 


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