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Review:
Archiv
- DG lists Hercules as a "Music Drama", others list it
as an Opera and still others as "An Oratorio/Opera". No
matter what its characterization it is one of those works that works
well in the concert hall but not at all on stage. In general Handel
was unsuccessful with his forty odd operas. And in truth not a few
of them are excessively boring. His public thought so too and walked
out in droves. This included Hercules.
Yet this it
is a work of quite singular beauty. Very mellow - if I may use that
word - the libretto by Thomas Broughton relates the dying days of
the great Greek hero and although not a literary masterpiece is
readable - and more to the point! - Singable.
It is not a
work that one comes across frequently. Indeed in years of concert/opera
going I have heard a greatly truncated performance exactly once.
There are three recordings listed in Schwann. Two you can instantly
forget and the last is - curiously enough! - A product of Archiv/DG.
It was an OK performance but this new production quite outstrips
it in every way.
There are two
reasons for this. One is the firm beat and understanding of the
score by Minkowski. The other I need hardly say is the voice of
von Otter. A voice that soars, grapples with a difficult part as
the Hero's Wife and comes out shinning. Gad! It was only a month
ago I burst out in laughter at her Chaminade and smiled at her Meyerbeer.
What I mean: This is a versatile lady!
Gidon Saks is
an admirable Hercules. His big aria, "Alcides' name in latest
story" may not note a man at death's door but the singing is
all that could be asked of a Hero, rich in the neither regions and
clean at top.
Croft as Hercules
son enunciates clearly and sings with clean attack and voice. Lynne
Dawson is not exactly unknown of course and one would expect the
best from her. And this she gives and with extreme unction.
The small orchestra
and chorus are polished to a fare-the-well, as one should expect.
The recording
- according to the box - was done live in Theatre de Poissy. This
is very hard to believe for there is scarcely a noise to be heard.
Indeed, the sound is just what is needed: Clear and with room around
it. And largely you can actually understand what's being sung which
is something of a shock.
Extensive notes,
libretto, biographies, pictures of course.
There may be
sets this year that are as good as this but better
I think
not.
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