When/how did western classical music get to the Far East?

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IcedNote
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When/how did western classical music get to the Far East?

Post by IcedNote » Mon Oct 01, 2007 8:26 pm

I must have missed this class in musicology. :D

So yeah...western classical music's arrival must have been in the 19th century, right? And if so, why aren't there more well-known Asian "classical" composers? Takemitsu is the only one that comes to mind, and he's as modern as modern gets. Well...he's dead now...so I guess there's more modern... :?

Preemptive defense: I don't listen to much 20th century music, so I'm only going by my what-I-learned-in-a-typical-musicology-course knowledge. :wink:

-G
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Ralph
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Post by Ralph » Mon Oct 01, 2007 8:43 pm

With the Meiji Restoration, Japan selectively turned to the West for military and naval training and law. In the process, much interest in Western culture developed, including music (and in the early 20th century, baseball).

China's reception of Western classical music was more diffused, depending to a certain extent on the colonies of foreigners as well as Chinese who studied in Europe.

NAXOS has been releasing significant Chinese and Japanese classical music from the twentieth century for quite a while and many of the works demonstrate a sophstictaed fusion of Asian and classical motifs.
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Opus132
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Post by Opus132 » Mon Oct 01, 2007 8:45 pm

The Chinese were too busy smoking on that opium to care about classical music.

Wait, what?

jbuck919
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Post by jbuck919 » Mon Oct 01, 2007 8:49 pm

It happened at about the time Japan had to be the only country ever attacked by nuclear weapons.

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piston
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Post by piston » Mon Oct 01, 2007 9:42 pm

composers before Toru Takemitsu:

Koscak Yamada (1886-1949);
Hidemaro Konoye (1898-1973);
Saburo Moroi (1903-1977);
Qunihiko Hashimoto (1904-1949);
Hisato Ohzawa (1907-1953);
Yoritsune Matsudaira (1907-2001);
Akira Ifukube (b.1914);
Kiyoshige Koyama (b.1914);
Hiroshi Ohguri (1918-1982);
Yasushi Akutagawa (1925-1989);
Akio Yashiro (1929-1976).

Biographies can be found at:
http://en.wikipedia.org/wiki/Category:J ... _composers

Opus132
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Post by Opus132 » Mon Oct 01, 2007 11:09 pm

piston wrote:composers before Toru Takemitsu:
Yeah, but what about 'great' composers before Takemitsu?

IcedNote
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Post by IcedNote » Tue Oct 02, 2007 10:56 am

Opus132 wrote:Yeah, but what about 'great' composers before Takemitsu?
Exactly. There seems to be a distinct lack of them.

Same for Australia. :?

-G
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piston
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Post by piston » Tue Oct 02, 2007 11:15 am

Your initial question was not about greatness, IcedNote. I offered what I thought was an appropriate answer. In any case, I have been vaccinated against the greatness virus.

pizza
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Post by pizza » Tue Oct 02, 2007 12:44 pm

Japanese conductor Takashi Asahina who died recently was one of the world's greatest Brucknerians. He conducted and recorded several complete Bruckner cycles with Japanese orchestras and his work is held in high esteem.

IcedNote
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Post by IcedNote » Tue Oct 02, 2007 1:13 pm

piston wrote:Your initial question was not about greatness, IcedNote. I offered what I thought was an appropriate answer. In any case, I have been vaccinated against the greatness virus.
Well-known...great....same thing! :lol:

-G

PS. I'm not being serious.
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Opus132
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Post by Opus132 » Tue Oct 02, 2007 6:13 pm

piston wrote:In any case, I have been vaccinated against the greatness virus.
Which in newspeak translates as: i'm running on so much estrogen i can eschew all forms of objectivity and wallow in comfortable relativity.

piston
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Post by piston » Tue Oct 02, 2007 7:06 pm

You need to find a musically argumentative type of composer, op. 132, 'cause you sound pretty desperate in your attempt to narrow the number of composers-worth-listening to. Wagner, perhaps?

Opus132
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Post by Opus132 » Tue Oct 02, 2007 7:33 pm

piston wrote:composers-worth-listening to
That's where i'm trying to narrow it down to.

Febnyc
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Post by Febnyc » Tue Oct 02, 2007 7:38 pm

[quote="Opus132]
Yeah, but what about 'great' composers before Takemitsu?[/quote]

Great? I'm not sure how to define that.

But I've heard a number of the Naxos discs - mostly from the list provided by piston. These are excellent works and very interesting to hear. Much of it is very western-sounding (in some cases, almost hard to distinguish from central European sounds). In the case of Yashiro, for example, we are treated to some exciting Stravinskyish/Bartokian music, which is exceedingly well crafted. The Hashimoto Symphony is beautiful, as is the one by Moroi.

For my taste these pre-Takemitsu composers have a lot to offer.

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