This music is not for ballet but for ballroom dancing. When Mozart finally got a job with the emperor's court, it was to compose dance music for the balls at the Redoutensaal during the carnival period before Lent. He said of his salary, "Too much for what I do, too little for what I could do." But there was nothing perfunctory about the minuets, contredanses, German dances, etc. that he composed. He himself was an enthusiastic dancer and particularly enjoyed the costume balls that were a feature of the season; he also held dances in his home for his friends. The music for the Redoutensaal dances provided a showcase for his compositional talents to the aristocrats and well-to-do bourgeois who attended the balls.
Back in the 1970s, Decca/London recorded Mozart's complete dance music on 7 LPs with Willi Boskovsky leading the "Vienna Mozart Ensemble," no doubt consisting of colleagues from the Vienna Philharmonic. These have been reissued on CDs in Philips's complete Mozart box and as a 6-CD set in their own right. And some have been recorded by no less than Bruno Walter, Erich Kleiber, and Eugene Ormandy.
Can you imagine going to a dance and being greeted by music of this grandeur?
Mozart's dance music
Mozart's dance music
John Francis
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Re: Mozart's dance music
There is of course a danceable minuet in Don Giovanni, written many decades after the form had become stylized in the baroque suite. When I was in college I took some dance lessons. I never got very good at it, but even then I knew when I was dancing a waltz to the music of a minuet, and complained about it. (The other problem was that my partner, who is still a good friend, had absolute pitch and couldn't tolerate the in-betweenness of the recorded music sound.)
There's nothing remarkable about it. All one has to do is hit the right keys at the right time and the instrument plays itself.
-- Johann Sebastian Bach
Re: Mozart's dance music
Back in 1991, one of Lincoln Center's programs for the Mozart bicentennial was about the dances of Mozart's time, with demonstrations by a period dance group - not just the minuet but the German dance (precursor of the waltz) and contretanz, which also are part of the "Don Giovanni" Act I finale. As you say, the minuet is nothing like the waltz. And I realized that I had never seen a performance of "Don Giovanni" in which those simultaneous dances were done correctly.
A paradox of our time: the obsession with historically informed musical performance is contradicted by the obsession with productions that contradict what the opera plainly says. This is the opposite of what I want, which is a production that is faithful to the words and actions of the opera but a musical performance which is as dramatically and emotionally expressive as possible - in effect, the Salzburg Festival "Don Giovanni" of 1954 conducted by Furtwängler.
https://www.youtube.com/watch?v=XPYjqz7nToY
A paradox of our time: the obsession with historically informed musical performance is contradicted by the obsession with productions that contradict what the opera plainly says. This is the opposite of what I want, which is a production that is faithful to the words and actions of the opera but a musical performance which is as dramatically and emotionally expressive as possible - in effect, the Salzburg Festival "Don Giovanni" of 1954 conducted by Furtwängler.
https://www.youtube.com/watch?v=XPYjqz7nToY
John Francis
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