What are you listening to?
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About to plunge into the Bernstein/NYPhil Sibelius set.
Karl Henning, PhD
Composer & Clarinetist
Boston, Massachusetts
http://members.tripod.com/~Karl_P_Henning/
http://henningmusick.blogspot.com/
Published by Lux Nova Press
http://www.luxnova.com/
Composer & Clarinetist
Boston, Massachusetts
http://members.tripod.com/~Karl_P_Henning/
http://henningmusick.blogspot.com/
Published by Lux Nova Press
http://www.luxnova.com/
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A recent trip to Everyday Music in downtown Portland (OR) netted a few interesting discs. One was a top-of-the-list recording of the Brahms Concerto with Shlomo Mintz accompanied by Claudio Abbado and the Berlin Philharmonic on a Time-Life CD with material licensed from DG. Mintz's tone is breathtakingly beautiful. I can't keep up with all the new recordings of standard violin repertoire, but at thsi price ($2.50), I'll keep buying them.
On the LP side, and early Epic recording of Phillippe Entremont (LC-3316) playing music of Chopin. I've just istened to the Nocturne in D-Flat, Op. 27, No. 2 (one of my favorite pieces) and this recording shows the clarity of line and inner detail I enjoy in Chopin. Good sound and dynmamic range on this mono recording. I don't have enough Entremont in my colection. I'll report on the rest of the disc tomorrow.
ANother LP was a c. 1952 recording of the Dvorak New World with George Szell and the Cleveland Orchestra (Columbia ML-4541). Exquisite slow movement. Snappy, taut playing in the quicker movements.
John
On the LP side, and early Epic recording of Phillippe Entremont (LC-3316) playing music of Chopin. I've just istened to the Nocturne in D-Flat, Op. 27, No. 2 (one of my favorite pieces) and this recording shows the clarity of line and inner detail I enjoy in Chopin. Good sound and dynmamic range on this mono recording. I don't have enough Entremont in my colection. I'll report on the rest of the disc tomorrow.
ANother LP was a c. 1952 recording of the Dvorak New World with George Szell and the Cleveland Orchestra (Columbia ML-4541). Exquisite slow movement. Snappy, taut playing in the quicker movements.
John
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Sibelius
Symphony No. 2 in D Major, Opus 42
Bernstein / NY Phil
An excellent account of this old favorite of a symphony; I'm still making my way (most enjoyably) through this set, but this is the clear high point so far.
Symphony No. 2 in D Major, Opus 42
Bernstein / NY Phil
An excellent account of this old favorite of a symphony; I'm still making my way (most enjoyably) through this set, but this is the clear high point so far.
Karl Henning, PhD
Composer & Clarinetist
Boston, Massachusetts
http://members.tripod.com/~Karl_P_Henning/
http://henningmusick.blogspot.com/
Published by Lux Nova Press
http://www.luxnova.com/
Composer & Clarinetist
Boston, Massachusetts
http://members.tripod.com/~Karl_P_Henning/
http://henningmusick.blogspot.com/
Published by Lux Nova Press
http://www.luxnova.com/
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Sondheim, OC album of Sunday in the Park with George.
Sibelius, The Origin of Fire, Sandels, etc. Jarvi / Gothenburg SO on BIS.
Sibelius, The Origin of Fire, Sandels, etc. Jarvi / Gothenburg SO on BIS.
Last edited by jserraglio on Fri Dec 30, 2005 7:11 am, edited 1 time in total.
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Berlioz Symphonie Fantastique (Kegel/Dresden Phil.)
Beethoven's Seventh (Szell/CO)
John Powell's Rapsodie Negre & John Alden Carpenter's Chanticleer (Dean Dixon/VSO)
A new CD I got of Paavo Jarvi/Cincinnati doing Debussy
Mahler's Second (Ormandy/Minnesota)
Beethoven's Seventh (Szell/CO)
John Powell's Rapsodie Negre & John Alden Carpenter's Chanticleer (Dean Dixon/VSO)
A new CD I got of Paavo Jarvi/Cincinnati doing Debussy
Mahler's Second (Ormandy/Minnesota)
Good music is that which falls upon the ear with ease, and quits the memory with difficulty.
--Sir Thomas Beecham
--Sir Thomas Beecham
It's been a weekend for Brahms and Bebop. I've listened to all four Brahms symphonies played by Bernard Haitink and the Boston Symphony. Now for a change of pace I'm listening to "Der Rosenkavalier" with Haitink again, this time conducting the Staatskapelle Dresden. The cast includes Kiri Te Kanawa, Anne Sofie Von Otter, Barbara Hendricks and Kurt Rydl. Interesting to think that Strauss was still alive in the late 1940's when most of the Charlie Parker and Dizzy Gillespie recordings I've been listening to were made.
"The law isn't justice. It's a very imperfect mechanism. If you press exactly the right buttons and are also lucky, justice may show up in the answer. A mechanism is all the law was ever intended to be." - Raymond Chandler
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Listened to the entire Chopin recital of Phillippe Entremont from the Epic Lp mentioned above. This may be a case where the parts are greater than the whole. I could see listening to each of the seven pieces individually, but as a whole the disc seems to lack contrast. I would have liked a bit more spice in the Op. 43 Tarantelle.
I traditionally play a recording of Beethoven's 9th on New Year's Eve, but the evening passed without the opportunity, so I listened to two recordings today. The first was Karajan's 1962 recording. This is a pretty energetic performance, with lots of slashing strings and fairly brisk tempi. The other performance is Mehta's New Youk recording from 1983 on RCA Silver Seal. If anything, it is more sharply etched than the Karajan. Mehta does an excellent job of contrasting sections of the work and the climaxes are very satisfying. The tympani are well captured (actually highlighted) in the first movement recapitulation and the chorus sings with vigor. Like Ormandy, I feel that Mehta is one of those underrated conductors.
Being in the mood for high-octane recordings I also listened to the 7th and the 9th sumphonies of Dvorak. The 7th was with Kertesz and the London Symphony, part of the 6-CD set of all the sympahonies and the 9th was with Giulini and the Chicago Symphony. I now have a this recording on CD and the lower strings seems richer. But the winds didn't sound quite so prominent. One of the things that struck me about Giulini's recording is the modern sound to the harmony and the work sounded like one written near the turn of the 20th century. It didn't quite sound that way this time.
John
I traditionally play a recording of Beethoven's 9th on New Year's Eve, but the evening passed without the opportunity, so I listened to two recordings today. The first was Karajan's 1962 recording. This is a pretty energetic performance, with lots of slashing strings and fairly brisk tempi. The other performance is Mehta's New Youk recording from 1983 on RCA Silver Seal. If anything, it is more sharply etched than the Karajan. Mehta does an excellent job of contrasting sections of the work and the climaxes are very satisfying. The tympani are well captured (actually highlighted) in the first movement recapitulation and the chorus sings with vigor. Like Ormandy, I feel that Mehta is one of those underrated conductors.
Being in the mood for high-octane recordings I also listened to the 7th and the 9th sumphonies of Dvorak. The 7th was with Kertesz and the London Symphony, part of the 6-CD set of all the sympahonies and the 9th was with Giulini and the Chicago Symphony. I now have a this recording on CD and the lower strings seems richer. But the winds didn't sound quite so prominent. One of the things that struck me about Giulini's recording is the modern sound to the harmony and the work sounded like one written near the turn of the 20th century. It didn't quite sound that way this time.
John
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--borrowed this set from the library and went on a Elgar listening spree:
The Elgar Edition, vol 1, on EMI, containing his symphonies, Falstaff, & excerpts from The Dream of Gerontius and The Music Makers, all conducted by the composer.
--also downloaded an audio eBook from the library and listened, Margaret Atwood's, Penelopiad.
After hearing a bit of it, went out and bought the book. a witty, sardonic tale, told from Hades by Penelope: "Now that I'm dead I know everything".
--wedged in a first listen to Rochberg, Symphony No. 2. The Naxos label goes from strength to strength.
The Elgar Edition, vol 1, on EMI, containing his symphonies, Falstaff, & excerpts from The Dream of Gerontius and The Music Makers, all conducted by the composer.
--also downloaded an audio eBook from the library and listened, Margaret Atwood's, Penelopiad.
After hearing a bit of it, went out and bought the book. a witty, sardonic tale, told from Hades by Penelope: "Now that I'm dead I know everything".
--wedged in a first listen to Rochberg, Symphony No. 2. The Naxos label goes from strength to strength.
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I am listening to the Christopher Hogwood recording of Neils Gade's Symphony #1, part of the 4 CD set of Gade symphonies, which I am just now starting to listen to.
Don't drink and drive. You might spill it.--J. Eugene Baker, aka my late father
"We're not generating enough angry white guys to stay in business for the long term."--Sen. Lindsey Graham, R-S. Carolina.
"Racism is America's Original Sin."--Francis Cardinal George, former Roman Catholic Archbishop of Chicago.
"We're not generating enough angry white guys to stay in business for the long term."--Sen. Lindsey Graham, R-S. Carolina.
"Racism is America's Original Sin."--Francis Cardinal George, former Roman Catholic Archbishop of Chicago.
Ravel all morning and Wagner all afternoon:
Rhapsodie espagnole
Menuet antique
Ma Mere l’Oye
La Valse
Alborada del gracioso
Le tombeau de Couperin
Valses nobles et sentimentales
Bolero
Daphnis et Chloe
All conducted by Bernard Haitink with the Boston Symphony Orchestra
The two Piano Concertos played by Zoltan Kocsis with Ivan Fischer and the Budapest Festival Orchestra
The String Quartet played by the Hagen Quartet
Parsifal conducted by Karajan – proof that not all early digital recordings sound bad.
Rhapsodie espagnole
Menuet antique
Ma Mere l’Oye
La Valse
Alborada del gracioso
Le tombeau de Couperin
Valses nobles et sentimentales
Bolero
Daphnis et Chloe
All conducted by Bernard Haitink with the Boston Symphony Orchestra
The two Piano Concertos played by Zoltan Kocsis with Ivan Fischer and the Budapest Festival Orchestra
The String Quartet played by the Hagen Quartet
Parsifal conducted by Karajan – proof that not all early digital recordings sound bad.
"The law isn't justice. It's a very imperfect mechanism. If you press exactly the right buttons and are also lucky, justice may show up in the answer. A mechanism is all the law was ever intended to be." - Raymond Chandler
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Lehar's "The Merry Widow" - John Eliot Gardiner conducting the Vienna Philharmonic with Cheryl Studer, Boje Skovhus, Barbara Bonney, Bryn Terfel and Reiner Trost. I think this is a wonderful recording!
"The law isn't justice. It's a very imperfect mechanism. If you press exactly the right buttons and are also lucky, justice may show up in the answer. A mechanism is all the law was ever intended to be." - Raymond Chandler
Better than wonderful--nearly perfect!Haydnseek wrote:Lehar's "The Merry Widow" - John Eliot Gardiner conducting the Vienna Philharmonic with Cheryl Studer, Boje Skovhus, Barbara Bonney, Bryn Terfel and Reiner Trost. I think this is a wonderful recording!
"Your idea of a donut-shaped universe intrigues me, Homer; I may have to steal it."
--Stephen Hawking makes guest appearance on The Simpsons
--Stephen Hawking makes guest appearance on The Simpsons
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I am always behind in listening to new records. I buy them faster than I can listen to them. I have a couple hundred CDS (not including most of the complete Bach edition) which I haven't listened to yet.
But I do have things that I am listening to on a daily basis. Right now, I am going through three issues, and I have played part of each of them--the Abbado Berlin PO Brahms Symphony set, The Christopher Hogwood Neils Gade Symphony set, and the St. Petersburg String Quartet Shostakovich String Quartet cycle. Just finished with the Muti Brahms Symphony set a few days ago.
But I do have things that I am listening to on a daily basis. Right now, I am going through three issues, and I have played part of each of them--the Abbado Berlin PO Brahms Symphony set, The Christopher Hogwood Neils Gade Symphony set, and the St. Petersburg String Quartet Shostakovich String Quartet cycle. Just finished with the Muti Brahms Symphony set a few days ago.
Don't drink and drive. You might spill it.--J. Eugene Baker, aka my late father
"We're not generating enough angry white guys to stay in business for the long term."--Sen. Lindsey Graham, R-S. Carolina.
"Racism is America's Original Sin."--Francis Cardinal George, former Roman Catholic Archbishop of Chicago.
"We're not generating enough angry white guys to stay in business for the long term."--Sen. Lindsey Graham, R-S. Carolina.
"Racism is America's Original Sin."--Francis Cardinal George, former Roman Catholic Archbishop of Chicago.
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Beethoven's Fourth & Bartok Concerto For Orchestra (Blomstedt/SFSO--concert broadcast)
Tchaikovsky's Fourth (Ormandy 3--his first stereo one, not up to the level of Ormandy 2 from early 50s)
Toscanini's Jan.'45 concert with the NYP (a benefit one, w/Haydn 101, Pines of Rome, Wagner G.D. excerpts, Sibelius Swan & Euryanthe Over.)
One of these days, if I can hook up the battered old reel-to-reel, I hope to transfer to cassette some old-time radio tapes of "The Mel Blanc Show."
Tchaikovsky's Fourth (Ormandy 3--his first stereo one, not up to the level of Ormandy 2 from early 50s)
Toscanini's Jan.'45 concert with the NYP (a benefit one, w/Haydn 101, Pines of Rome, Wagner G.D. excerpts, Sibelius Swan & Euryanthe Over.)
One of these days, if I can hook up the battered old reel-to-reel, I hope to transfer to cassette some old-time radio tapes of "The Mel Blanc Show."
Good music is that which falls upon the ear with ease, and quits the memory with difficulty.
--Sir Thomas Beecham
--Sir Thomas Beecham
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Schubert 9th: Monteux live 1960. It's a very powerful performance, but I don't think it's as good as the one I saw Sawallisch and Philly play last season. He had that orchestra so perfectly balanced and blended. And the phrasing of every section of the orchestra was just so sophisticated. This Monteux performance is perhaps a bit more aggressive at times, and it's a very virtuoso performance. But the phrasing just isn't as nuanced as the Sawallisch performance from last year.
"If this is coffee, please bring me some tea; but if this is tea, please bring me some coffee." - Abraham Lincoln
"Although prepared for martyrdom, I preferred that it be postponed." - Winston Churchill
"Before I refuse to take your questions, I have an opening statement." - Ronald Reagan
http://www.davidstuff.com/political/wmdquotes.htm
http://www.youtube.com/watch?v=2pbp0hur ... re=related
"Although prepared for martyrdom, I preferred that it be postponed." - Winston Churchill
"Before I refuse to take your questions, I have an opening statement." - Ronald Reagan
http://www.davidstuff.com/political/wmdquotes.htm
http://www.youtube.com/watch?v=2pbp0hur ... re=related
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Karl Henning, PhD
Composer & Clarinetist
Boston, Massachusetts
http://members.tripod.com/~Karl_P_Henning/
http://henningmusick.blogspot.com/
Published by Lux Nova Press
http://www.luxnova.com/
Composer & Clarinetist
Boston, Massachusetts
http://members.tripod.com/~Karl_P_Henning/
http://henningmusick.blogspot.com/
Published by Lux Nova Press
http://www.luxnova.com/
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Nojima Plays Liszt (Reference Recordings). One of the most realistic sounding piano recordings I have ever heard.
And Eugene Ormandy conducting during the mono era . . .
Rachmaninoff, The Bells / Isle of Dead (ML 5083)
Sibelius, Symphonies 4 & 5 (ML 5045)
And Eugene Ormandy conducting during the mono era . . .
Rachmaninoff, The Bells / Isle of Dead (ML 5083)
Sibelius, Symphonies 4 & 5 (ML 5045)
Last edited by jserraglio on Mon Jan 16, 2006 5:28 am, edited 1 time in total.
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Brahms 3rd and Dvorak 8th from the recently released box of George Szell's Decca recordings. Both of these are with the Concertgebouw Orchestra and were recorded in 1951. Szell seems to have had a particular affinity for Dvorak's 8th, and this reading is similar to the early stereo recording in Cleveland, perhaps even a bit more dramatic in the first movement. The Brahms is similarly taut, direct and rich in orchestral sonority.
Also, Mozart's Divertimento K. 131 and Serenade K. 251 with the Orpheus Chamber Orchestra on DG, part of a 4-disc collection. Crisp, light performances on modern instruments. I listened to this disc twice.
John
Also, Mozart's Divertimento K. 131 and Serenade K. 251 with the Orpheus Chamber Orchestra on DG, part of a 4-disc collection. Crisp, light performances on modern instruments. I listened to this disc twice.
John
Last edited by CharmNewton on Sun Jan 15, 2006 8:48 pm, edited 1 time in total.
Mendelssohn's Scottish and Italian symphonies - Claus Peter Flor leading the Bamberg Symphony Orchestra
"The law isn't justice. It's a very imperfect mechanism. If you press exactly the right buttons and are also lucky, justice may show up in the answer. A mechanism is all the law was ever intended to be." - Raymond Chandler
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Beethoven's Third (Bohm/VPO)
Sibelius' Fifth (Jensen/DRSO)
Gade's First (Hogwood/DRSO)
Tchaikovsky's Second (Solti/PCO)
Also, I'm on a Beethoven-Seventh kick; dug out all these goodies:
Szell/CO 2
Dean Dixon (Prague SO, on Supraphon)
Koussevitzky (BSO concert)
Boult/LPO (on Vanguard)
Zinman/Zurich
Sibelius' Fifth (Jensen/DRSO)
Gade's First (Hogwood/DRSO)
Tchaikovsky's Second (Solti/PCO)
Also, I'm on a Beethoven-Seventh kick; dug out all these goodies:
Szell/CO 2
Dean Dixon (Prague SO, on Supraphon)
Koussevitzky (BSO concert)
Boult/LPO (on Vanguard)
Zinman/Zurich
Good music is that which falls upon the ear with ease, and quits the memory with difficulty.
--Sir Thomas Beecham
--Sir Thomas Beecham
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Brahms' Violin Sonatas Op. 78 and 100 with Vladimir Spivakov and Mikhial Rudy on RCA. Brahms' Piano Quartets Op. 25 and 60 with Lars Vogt and others on EMI.
Hilary Hahn's recently released recital of four Mozart Sonatas on DG. Her partner is Natalie Zhu. THe two have played together since their student days and it shows. Their ensemble work is fabulous. This disc is easy to listen to over and over. I hope that DG will give Ms. Zhu the opportunity to record solo repertoire. She'd make another fine addition to their amazing group of oainists.
John
Hilary Hahn's recently released recital of four Mozart Sonatas on DG. Her partner is Natalie Zhu. THe two have played together since their student days and it shows. Their ensemble work is fabulous. This disc is easy to listen to over and over. I hope that DG will give Ms. Zhu the opportunity to record solo repertoire. She'd make another fine addition to their amazing group of oainists.
John
Bartok: Music for Strings, Percussion and Celesta - Boulez, Chicago Symphony
Bartok: Piano Concerto No. 3 - Jando, Ligeti, Budapest Symphony
Grieg: Lyric Pieces, Book I - Oppitz
Bartok: Piano Concerto No. 3 - Jando, Ligeti, Budapest Symphony
Grieg: Lyric Pieces, Book I - Oppitz
"The law isn't justice. It's a very imperfect mechanism. If you press exactly the right buttons and are also lucky, justice may show up in the answer. A mechanism is all the law was ever intended to be." - Raymond Chandler
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Mozart: Cosi fan tutte - Bernard Haitink conducting the London Philharmonic and Glyndebourne Chorus with Carol Vaness, Delores Ziegler, Dale Duesing, John Aler, Lillian Watson ad Claudio Desderi
Mahler: Symphony No. 3 - Haitink, Berlin Philharmonic
Mahler: Symphony No. 3 - Haitink, Berlin Philharmonic
Last edited by Haydnseek on Sat Jan 21, 2006 5:54 pm, edited 1 time in total.
"The law isn't justice. It's a very imperfect mechanism. If you press exactly the right buttons and are also lucky, justice may show up in the answer. A mechanism is all the law was ever intended to be." - Raymond Chandler
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Today, I listened first the the Shostakovich String Quarter #10--St Petersburg Quartet. I listened to the two other quartets on the disc yesterday.
Then to this wonderful, Naxos issue of 2 violin concerti, one by Myaskovsky, and the other by Vainberg. Highly rrecommened.
Now I am listening to the last CD in an Abbado, BPO Brahms set--the Haydn Variations, Nanie, and the 4th Symphony.
After that, it will be on to the last volume of the St Petersburg Quartert recordings of the Shostakovich String Quartets.
Haven't decided what after that. Maybe nothing else today.
Then to this wonderful, Naxos issue of 2 violin concerti, one by Myaskovsky, and the other by Vainberg. Highly rrecommened.
Now I am listening to the last CD in an Abbado, BPO Brahms set--the Haydn Variations, Nanie, and the 4th Symphony.
After that, it will be on to the last volume of the St Petersburg Quartert recordings of the Shostakovich String Quartets.
Haven't decided what after that. Maybe nothing else today.
Don't drink and drive. You might spill it.--J. Eugene Baker, aka my late father
"We're not generating enough angry white guys to stay in business for the long term."--Sen. Lindsey Graham, R-S. Carolina.
"Racism is America's Original Sin."--Francis Cardinal George, former Roman Catholic Archbishop of Chicago.
"We're not generating enough angry white guys to stay in business for the long term."--Sen. Lindsey Graham, R-S. Carolina.
"Racism is America's Original Sin."--Francis Cardinal George, former Roman Catholic Archbishop of Chicago.
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Ok, see above. I did wind up listening to something else too--the Mercury Living Presence CD containing Dorati's recording of the Tchaikovsky 5th Symphony (LSO) and the March Slav, and two excerpts from Eugene Onegin with the Minneapolis Sym.
And I have laid out three stacks of "new" (previously unlistened to, though some I have had for 2 yrs--I am seriously behind in my listening) CDs for my next round of virgin auditions.
Stack 1 contains both the Neumann and Jarvi sets of the Martinu Symphonies plus the Ancerl CD of the last two symphonies.
Stack 2 contains 2 twofers of the complete Saint-Saens concerted violin music, one with Ulf Hoelscher and the other with Jean Jacques Kantorow plus a 5 CD set of the complete Saint-Saens solo and 4 hand piano music.
And "Stack" 3 consists of the Yale Quartet set of the Beethoven late string quartets.
If I decide I want more in the round, and just those 3 stacks gets a little monotonous, I think I may listen to one of the opera recordings I haven't listened to yet, and one of the sets I have there is the complete D'oyly Carte Gilbert and Sullivan.
Keep on truckin'.
And I have laid out three stacks of "new" (previously unlistened to, though some I have had for 2 yrs--I am seriously behind in my listening) CDs for my next round of virgin auditions.
Stack 1 contains both the Neumann and Jarvi sets of the Martinu Symphonies plus the Ancerl CD of the last two symphonies.
Stack 2 contains 2 twofers of the complete Saint-Saens concerted violin music, one with Ulf Hoelscher and the other with Jean Jacques Kantorow plus a 5 CD set of the complete Saint-Saens solo and 4 hand piano music.
And "Stack" 3 consists of the Yale Quartet set of the Beethoven late string quartets.
If I decide I want more in the round, and just those 3 stacks gets a little monotonous, I think I may listen to one of the opera recordings I haven't listened to yet, and one of the sets I have there is the complete D'oyly Carte Gilbert and Sullivan.
Keep on truckin'.
Don't drink and drive. You might spill it.--J. Eugene Baker, aka my late father
"We're not generating enough angry white guys to stay in business for the long term."--Sen. Lindsey Graham, R-S. Carolina.
"Racism is America's Original Sin."--Francis Cardinal George, former Roman Catholic Archbishop of Chicago.
"We're not generating enough angry white guys to stay in business for the long term."--Sen. Lindsey Graham, R-S. Carolina.
"Racism is America's Original Sin."--Francis Cardinal George, former Roman Catholic Archbishop of Chicago.
Nielsen: Symphonies 4 and 5 - Schonwandt, Danish National Radio Symphony
Beethoven: Symphony No. 7 - Bernstein, Vienna Philharmonic
Mozart: The Magic Flute - Michael Halasz conducting for Naxos
Mozart: Symphonies 40 and 41 - Josef Krips, Concertgebouw Orchestra
Beethoven: Symphony No. 7 - Bernstein, Vienna Philharmonic
Mozart: The Magic Flute - Michael Halasz conducting for Naxos
Mozart: Symphonies 40 and 41 - Josef Krips, Concertgebouw Orchestra
"The law isn't justice. It's a very imperfect mechanism. If you press exactly the right buttons and are also lucky, justice may show up in the answer. A mechanism is all the law was ever intended to be." - Raymond Chandler
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Delius, The Delius Collection vol 3, on Unicorn. wonderful choral works--had to listen thru 3 or 4 times they were so involving. bought it even tho the CD suffers from bronzing damage.
soon to follow . . .
Enescu, Oedipe (Naxos)
Bolcom, Songs of Innocence and of Experience (Naxos)
Goldschmidt, Der Gewaltige Hahnrei (London)
soon to follow . . .
Enescu, Oedipe (Naxos)
Bolcom, Songs of Innocence and of Experience (Naxos)
Goldschmidt, Der Gewaltige Hahnrei (London)
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Well, even though I listened to it just a few weeks ago, in commemoration of her passing, I'll be hearing again Coretta Scott King as the speaker on Copland's Lincoln Portrait, with the composer leading the National Symphony during the Lincoln birthday concert--in Feb. '69.
Good music is that which falls upon the ear with ease, and quits the memory with difficulty.
--Sir Thomas Beecham
--Sir Thomas Beecham
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- Posts: 11942
- Joined: Sun May 29, 2005 7:06 am
- Location: Cleveland, Ohio
Zuckerman playing works by Saint-Saens, Vieuxtemps, and Wieniawski (Columbia LP MS 7422). Very nice record.
Yo-Yo Ma, Simply Baroque (Bach and Boccherini)
Eugene Ormandy with the Philadelphia Orchestra--all mono Columbias:
Berlioz, Symphonie Fantastique (ML 4467)
Hi-Fi 3/4: Waldteufel and Lehar (CL 849)
Virtuosi ((ML 5129)
Tchaikovsky, Symphonies 5 and 6 (ML 4400 and 4544)
Yo-Yo Ma, Simply Baroque (Bach and Boccherini)
Eugene Ormandy with the Philadelphia Orchestra--all mono Columbias:
Berlioz, Symphonie Fantastique (ML 4467)
Hi-Fi 3/4: Waldteufel and Lehar (CL 849)
Virtuosi ((ML 5129)
Tchaikovsky, Symphonies 5 and 6 (ML 4400 and 4544)
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- Posts: 4687
- Joined: Tue Jul 22, 2003 3:31 pm
- Location: Brush, Colorado
Shostakovich: Symphony No. 8 - Barshai, WDR Symphony
Beethoven: Piano Concerto No. 5 - Pollini, Böhm, Vienna Philharmonic
Beethoven: Violin Concerto - Francescatti, Walter, Columbia Symphony
Beethoven: Symphony No. 6 - Monteux, Vienna Philharmonic
Beethoven: Piano Concerto No. 5 - Pollini, Böhm, Vienna Philharmonic
Beethoven: Violin Concerto - Francescatti, Walter, Columbia Symphony
Beethoven: Symphony No. 6 - Monteux, Vienna Philharmonic
"The law isn't justice. It's a very imperfect mechanism. If you press exactly the right buttons and are also lucky, justice may show up in the answer. A mechanism is all the law was ever intended to be." - Raymond Chandler
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- Posts: 2180
- Joined: Sun Jun 08, 2003 9:10 pm
Beethoven Quartets No. 12, Op. 127 and No. 15, Op. 132 with the Hagen Quartet (DG 00289 477 5705 GH).
I find this a wonderful and amazing recording. One might say it is "historically informed" in the best sense of the word, as tempi are generally brisk, phrasing well articulated and vibrato is almost nil. But the quartet plays with rich tone, attention to inner detail and precise intonation. The combination of these last three make for extraordinary sounding harmonies and (as with Hilary Hahn's recordings) these performances can move by sheer beauty of sound. Interpretively, these are well thought-out readings. For example, the final two movements of the Op. 132, which often sound to me like they have been tacked on after the beautiful Adagio here sound integral and quite melodic.
John
I find this a wonderful and amazing recording. One might say it is "historically informed" in the best sense of the word, as tempi are generally brisk, phrasing well articulated and vibrato is almost nil. But the quartet plays with rich tone, attention to inner detail and precise intonation. The combination of these last three make for extraordinary sounding harmonies and (as with Hilary Hahn's recordings) these performances can move by sheer beauty of sound. Interpretively, these are well thought-out readings. For example, the final two movements of the Op. 132, which often sound to me like they have been tacked on after the beautiful Adagio here sound integral and quite melodic.
John
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