Sergeant Rock wrote:Thanks for the welcome. No, I never heard Szell's Bruckner in concert. What can I say...I was young and ignorant. In high school I sampled a Bruckner recording or two but the music didn't grab me. By the time I fell under Bruckner's spell, Szell was dead.
I had a Bruckner "experience" while I was in college. I bought Bruno Walter's box of Symphonies 4, 7 and 9 and played them over and over again. I'm surprised my parents didn't shoot me!
Sergeant Rock wrote:
I heard one more Bruckner symphony before I was transferred to Germany at the end of 1973 but I can't remember the details of that concert although I think Maazel conducted. Odd...old age catching up with me, I guess. What I do remember is that my best friends wouldn't go with me and that really angered me. It was our last chance to be together before I shipped out. Of course by that time I cared more about Bruckner than I cared about my friends
The Maazel Bruckner might have been the 5th Symphony. It was the first broadcast I taped with a new KLH open-reel recorder around 1973 or 1974(it had Dolby B noise reduction built in, a mistake having used it though after the machine broke).
Sergeant Rock wrote:
I love that Szell Eighth too. I recall going to the shop in 1972, standing there with Szell's box in one hand, Solti's in the other, weighing the two, and finally choosing Solti. But I couldn't stand the sound of the Vienna oboe and I took it back the next day, trading it in for the Szell. The Scherzo is particularly memorable, "...like the machinery of heaven" I recall one reviewer saying.
Sarge
The tempo of Szell's Scherzo sounds just right to me. A friend once said it was too slow and played the Van Beinum recording (another performance I love) which sounds almost manic. The dark, rich sonority of the Cleveland Orchestra is marvelous throughout the work.
I once had that Solti recording, but gave it to another friend after I bought the Szell. It's been about 15 years since I heard Solti's Eighth with the CHicago Symphony and it seemed that his interpretation had mellowed. The Vienna Philharmonic has improved since the 1960s. Based on recordings I've heard recently (Kaplan's Mahler 2nd, Boulez' Mahker 3rd, Muti's New Year's Day Concert from 2004 and Rattle's Beethoven cycle), I'd say it is a better orchestra than the Berlin Philharmonic. They play with more pep, intensity, alertness and precision than the BPO. But the Cleveland Orchestra is still tops and the Cincinnati Symphony hangs right with them.
John