The other thing I learned was how many contemporary works and works by American composers appeared on Szell’s programs. More than any other American orchestra, Charry claims.
Some great Szell stories too, beginning with . . .
At times, though I have to agree with Szell who once told an interviewer,“There is nothing interesting about me.” Much of the book reads like a journal, and even at times like an intinerary or a series of concert reviews.
Still, it is the only biography of Szell we have and as such it is invaluable.